3. shift - I
I think it is important that the young artists of the
group could experiment in feeling the choreography, especially the experience
and difficulties of the creating process. This is why I inspired them to create
both shorter and longer pieces as they wished. I didn’t ultimately decide
anything. They could work with whomever they wanted and cover any topic they
found interesting.
I truly enjoyed watching these plays. Please welcome these
young artists’ works with love.
Tamás Juronics, Art Director
Forgotten Truth
A young person is looking for shelter in our castoff
and corrupt world. He is yearning to find his own truth and his belief, which is
restricted by The Power. In the meantime, far away from him, his home is being
threatened by the imperialist expansion. During his journey, he realizes how
much social injustice exists in the world. He is surrounded by exploitation and
persecution. Actually, we are all deprived. If they call us incorrigible
idealists who keep imagining the impossible, then we have to answer over and
over again, “Yes, we are. Enough! Let’s try the impossible!”
The young: Gergely Czár
Choreographer: Gergő Horváth M.
Just Like That
DJ Dusan’s music inspired
me, and I dreamt of the dynamic motions to the music using the individual
styles of the dancers. Solos, duets, trios. I didn’t want to create a
storyline; I just wanted to put the atmosphere on the stage, a world that was created
in the moment as we were listening to the music during the creating process.
Dancers: Krisztina Szarvas,
Gergely Czár, Vencel Csetényi, Gergely Horváth M.
Choreographer: Andrea Tóth
Vision
This story depicts how
two women with different feelings and attitudes about the world and themselves express
their thoughts and steal from the other’s energy. You will hear the poem by József
Attila, “Óh, szív nyugodj!” performed by Ágnes Vanilla and Ferenc Pataki.
Dancers: Kitti
Hajszán, Flóra Zsadon
Choreographer: Krisztina Szarvas
Pull Over
This is a common story
about a Woman who is trying to express her desires toward a Man and the build up
of hope that he may be the One. The Man is moved for a few moments by the
Woman’s loneliness, but ultimately he doesn’t act, and so the Woman remains
alone.
Dancers: Andrea Tóth,
Gergely Czár, Vencel Csetényi
Choreographer: Krisztina Szarvas
Haller
Contributor: László Lukács, guitar
Dancers: János Haller
and Ferenc Pataki, actor
Porcelain
For it is so hard to
step out of our little world, and so hard to get closer to someone. We are
lonely on our own but we don’t let anyone in, even though we absolutely need
each other. We isolate ourselves and stay firm, but only seemingly, since this
outlook is so fragile.
Dancers: Kitti
Hajszán, Gergely Czár
Choreographer: Zoltán Tarnavölgyi
3
I always thought about why
it is either good or bad to be a woman. Sometimes I felt that certain
situations would be easier if I had been born a man, and these thoughts prevented
me from moving myself forward. The positive side of being a woman is the emotional
world that we as women can declare for ourselves, and that on occasion can only
be understood by us. I like this part. There are a lot of things happening in
my life that thousands and thousands of other women have already felt at least
once or in part during their lives. These common moments, development and emotional
periods inspired me. Therefore I chose three different and sharply separate
periods that I think have special significance in every woman’s life.
Dancers: Laura Fehér,
Kitti Palman, Flóra Zsadon, Vencel Csetényi
Choreographer: Kitti Palman
